La presencia de lo fantástico en la obra de Diana Veneziano El viaje de Atanor como forma de presentar un reverso de la construcción cultural del sujeto

Abstract

The article intends to observe and analyze certain aspects of fantasy in the dramatic work of Diana Veneziano premiered in 2000 and traverse analysis with current theories concerning what the culture “hiddens” or “mutes”. Be part of the critical concept of see in the great texts problems linked to the construction “unaware” of the subject in dialogue with the archetypal structure that to Carl Jung associated with magical fiction and discusses expulsion from the fantastic to the margins of the literary culture as an “ideological gesture significant, not unlike the silencing of the irrational by culture” (Jackson 143). This observation process emphasizes the responsibility of the fantasy as social resistance phenomenon, not as part of the dreams, but as a way of transformation. To do so, is theoretically based on the idea of Jonathan Culler that literary fantasy can be a testament to the power transformer and resistant of the reality principle, and thus, through the presence of the strange, mysterious and the unsettling present “the great other”, invisible and ineffable aspects.