A configuração do insólito em “O Largo do Mestrevinte” (1958) de José J. Veiga

Abstract

The analysis of tension engenders the plot and, gradually, entangles the narrator in increasingly intense displacements, meaning, at its peak, the struggle for life, in “O Largo do Mestrevinte”, short story by José J. Veiga. If the adult man ignores your experience, the same movement is not given as an option to the reader. The space becomes a performer and produces strangeness about the real. Based on the contributions of David Roas’s studies destabilization of the real in fantastic literature and notes of performer space in theatre and comprehensive sociology, the configuration of fictional space will be addressed and how to manage the question “what does it mean to be in the world ?” when installing the unusual.